Week 4
Paint & Pigment (Janet Miller Lecture)
Gina Christopher
Language of ColorPrimary Colors: Red, yellow, blue
Secondary Colors: Green, orange, and violet
Tertiary Colors: Made up of secondary colors
Warm Colors: Yellow, Orange, Violet
Cool Colors: Green, blue, violet
Every color has a mass tone and an undertone. The mass tone is the color that you see and the undertone is the color that makes it warmer or cooler. The closer the undertone is to the mass tone, the truer the color will appear.
Metamerism is the phenomenon that occurs when color changes under a different light source.
Light reflective value measures the amount of light a paint color reflects. The scale goes from 0 (absorbs all light) to 100 (reflects all light). Refraction is the angle at which light bounces off an object causing different color impressions.
Pigment & Color History
Red (A lot of red dyes come from the earth)
Carmine - bright red that comes from the scales of cochineal insects
Madder - Traditional vegetal source of red pigment
Blue (Write notes on blue paper to remember important things!)
Blue pigments were only affordable to the wealthy.
Azurite was used by Egyptians
Indigo was Greeks and Romans
Yellow (plant based pigments)
Yellow Orchre is the oldest yellow pigment, originally used for cave paintings and body decoration
Green
Buckthorn is a plant based pigment that is more transparent
Viridian, Terre verte, and Malachite come from an oxidation, the more they are exposed to weathering the more green they become.
Orange
Realgar was used for trade in the ancient Roman Empire
Cadmium orange is the most bright
Carnelian is an earthy orange
Purple
Tyrian purple (One gram of dye is made from the secretion of 10,000 sea snails)
Hermatite manganese is the oldest purple pigment
Also a luxury color!
Black
Vine black was traditionally produced by charring withered grape vines and stems
Bone black is an impure black carbon pigment prepared from charred bone
Vantablack is the world’s darkest black and it the darkest man made substance ever made.
Brown (if you wear brown people will talk to you!)
Umber has earth tones from cream to brown
Sepia is a reddish-brown from the ink shape of the cuttlefish
White
Lead white is one of the oldest and is not safe to use anymore
Zinc is a cold white
Titanium white is the strongest white
Pigments and Performance
Pigments give paint hide, durability, fade resistance and gloss.
Hide is the ability to obscure the surface upon which it is applied. “Dirtier” colors tend to offer better hide in fewer coats. High-quality paints and optimal primer can help you achieve deep, clear, bright and translucent colors.Durability is measured by how well the paint film resists physical degration. Fade resistance is typically referred to for exterior paints and coating. Gloss and sheen are two aspects of the same thing but they measured at different angles. Gloss is measured at a 60 free and sheen is measure at an 85 degree angle.
Paint Basics
Solvents, Binder, Additives, and Pigments are an included in a can of paint.
Colorants contain primary color pigments compounded and dispersed into liquid. Colorants are added when purchases, in accordance with a manufacturer’s color formula.
Washable flat finish gives exceptional hide and a great finish. Great in high traffic areas, schools, etc.
Moisture resistant technology will resist mold and mildew growth. This is very effective in bathrooms, lower levels, etc.
Interior water based acrylic- alkyd enamel is a water and oil based. This is helpful for trim, cabinets and other areas.
Water based Urethane Alkyd Trim Enamel has a smooth finish but has a hard finish. This is helpful for intense saturated colors and gives a great gloss. This is a good option for exterior and interior.
Primers
Primer is used on top of existing finish before you put a new color. Formulated to assure adhesion, block stains, resist corrosion, and acts as a surface filler. Primer will hide the existing color so that your new color can shine! Grey primer is a great choice for covering vibrant colors.
Sketch book #5
I really liked this sketch book assignment, it was fun rough sketching an interior just based on shading and shadows and light.
Wallpaper Assignment
I had a lot of fun doing this assignment, I also highly recommend the ciao Copic markers, they are so smooth!















Hi Gina, your sketch and wallpaper look great. You also did well with the color pigment summary
ReplyDeleteHi Gina! Really great blog! You did a great job going over the information we learned from Janet Miller. I also love both of your sketches. Great job!
ReplyDeleteGina,
ReplyDeleteThis was an outstanding Blog entry. You covered the material from Janet Miller in a very thorough manner. I loved the images you submitted that support your thoughts. The images you used for
"metamerism" was so good. It show what a difference lighting can have on the perception of color.
Your sketch was great and I adore your "Wallpaper" assignment. It is balanced, interesting and fun! 25/25 points!
Gina, great job!! You covered so much of the information in an informative and interesting manner.
ReplyDeleteGina, your comments this week were very well rounded and showed the intensity of color!
ReplyDelete